Artist Statement
My practice operates at the intersection of 3D modeling, photography, and realism. I am interested in how digital form, color, and spatial construction shape visual perception and aesthetic experience. Through both physical and virtual media, I investigate how images translate material reality into structured visual systems.
Color has long been central to my work. I am drawn to its capacity to construct spatial depth and emotional resonance. In earlier projects, I worked extensively with plaster models to explore volume, surface, and texture. These material experiments laid the foundation for my later engagement with digital modeling, where questions of structure, simulation, and realism continue to unfold.
Photography functions in my practice as a mode of observation. By capturing natural textures, light conditions, and everyday visual phenomena, I examine how ordinary scenes can be reframed as sites of perceptual attention. Rather than simply documenting beauty, I aim to investigate how visual order emerges from lived environments.
My current research in 3D modeling extends these concerns into virtual space. Digital modeling allows me to reconstruct and reinterpret reality, questioning the boundary between representation and construction. Through this process, I explore how contemporary realism can evolve within technological media while maintaining its engagement with human experience.
Across mediums, my work seeks to examine how visual structures influence perception and how realism continues to function as both an artistic language and a cognitive framework.
My practice operates at the intersection of 3D modeling, photography, and realism. I am interested in how digital form, color, and spatial construction shape visual perception and aesthetic experience. Through both physical and virtual media, I investigate how images translate material reality into structured visual systems.
Color has long been central to my work. I am drawn to its capacity to construct spatial depth and emotional resonance. In earlier projects, I worked extensively with plaster models to explore volume, surface, and texture. These material experiments laid the foundation for my later engagement with digital modeling, where questions of structure, simulation, and realism continue to unfold.
Photography functions in my practice as a mode of observation. By capturing natural textures, light conditions, and everyday visual phenomena, I examine how ordinary scenes can be reframed as sites of perceptual attention. Rather than simply documenting beauty, I aim to investigate how visual order emerges from lived environments.
My current research in 3D modeling extends these concerns into virtual space. Digital modeling allows me to reconstruct and reinterpret reality, questioning the boundary between representation and construction. Through this process, I explore how contemporary realism can evolve within technological media while maintaining its engagement with human experience.
Across mediums, my work seeks to examine how visual structures influence perception and how realism continues to function as both an artistic language and a cognitive framework.